Public invited, all ages and levels
First Saturday of every month, next: April 1, 2017, 1:30 pm to 5:30 pm
This popular drawing session is monitored, but no instruction. A model (dressed) holds one pose for 4 hours with breaks. Bring your own supplies, we have easels, coffee, tea.
17th Century Dutch Still Life Workshop
A Four Day Workshop, May 4-7, 2017, 9:30 am to 4:30 pm
This workshop is inspired by the Dutch Breakfast Still Life (Ontbijtjes). This type of still life painting developed in the 17th century and while the word "ontbijtjes" is Dutch for breakfast, it was more thought of as "a light meal taken at any time of day". The Breakfast Still Life is characterized by the display of everything from common everyday foods and items to rare delicacies and luxury goods such as roemers (wine glasses), silver/gold goblets, and chinese porcelain bowls. Common themes in this genre included straight forward tributes to nature and finely crafted wares to moral and religious warnings against excess.
The paintings were created using very specific procedures. They first executed a careful and accurate line drawing of the scene. This drawing was transferred to canvas or a panel and then toned gray or brown. The artist then completed the dead coloring (dood-verf) which was a transparent underpainting that would establish the general tones and colors needed to describe each object. Some artists did their dead coloring with full color and some in monochrome. We will use the latter method and limit our palette to brown and white. Once this layer is dry, the process of "working up" (opwerken) began. In this stage, the artist precisely defined each form to completion. They were careful "not to apply paint too heavily, but thin and sparingly, elegantly laid, glowing and pure." If, when this layer dried, some revisions and final touches were needed, they would do it at this time. There were, of course, different interpretations and versions of this method, but generally, most of the still life artists of that time period worked in some variation of the previously described process.
Due to the time limitations and the importance of experiencing the entire production process, everyone's still life should be simple. The recommended sizes of the painting are between 8x10 and 11x14. I recommend you choose a few pieces of produce (lemons, oranges, grapes, olives, etc.) with a bowl, plate or cup, etc. Metal objects (steel, silver, pewter, copper) are great but avoid high polish. Bread works well too and comes in many varieties. You can also include a piece of fabric, such as a white napkin or tablecloth. If your fabric has a pattern, it should not be too complex.
We will spend the first day setting up our compositions, drawing and transferring. The second day will be used to complete the grisailles. The remainder of time will be spent completing each part with color. I will work with everyone individually throughout the week and will paint alongside the artists on my own still life.
Fee: $455. members, $485. non-members
A Three Day Workshop, June 8-10, 2017, 9:00 am to 3:30 pm
Learn to paint flowers and some landscapes, capturing light, beauty, bright color, and form through glazing, value and use of negative space painting in the exciting medium of watercolor. Bring out the essence of birds and other wildlife in their natural environment. You will learn how to achieve saturated darks, when to use loose brush strokes vs. controlled ones, how to achieve balance and how to design an overall pleasing composition, among other things. This class will be lots of fun learning to manipulate this versatile, exciting and easy-to-correct water medium through demonstrated techniques and lots of individual attention! Drawing skills and some previous watercolor experience are recommended.
Bivenne Staiger is an award-winning artist, well-known for her dynamic paintings, and who has taught the joy of watercolor painting for many years. She is an elected member of Salmagundi Club, American Artists Professional League, Catharine Lorillard Wolfe Club, Connecticut Watercolor Society, Academic Artists Association, and many other arts organizations. A Supply List will be provided upon registration.
Fee: $270. members, $300. non-members
Finishing Your Painting
A Three Day Workshop, July 20-22, 2017, 9:30 am to 3:30 pm
This is a workshop that will guide you down the home stretch of completing a painting. Do you have a painting you started that is just waiting for inspiration, words of wisdom from a knowing teacher to complete? Bring them in! Jeremiah Patterson is a master painter, teaches at University of Hartford's Art School, holds workshops here and abroad in several mediums. Please indicate on registration form the subject of your painting and medium.
Fee: $270. members, $300. non-members
Portrait Painting in Oils
A Four Day Workshop, July 24-27, 2017, 9:30 am to 4:30 pm
In this four day portrait painting workshop, we will work through each step of painting the portrait in oils. The first day will be spent drawing the block-in and working through proportion, capturing a likeness, light and shadow shapes, and anatomy. We will transfer the drawing to linen and then proceed to a poster study, full color underpainting, and the final pass. There will be thorough demonstrations and discussions on each step of the process. Lectures on elements of form, color, and technique will begin each day.
Fee: $345. members, $375. non-members
The Dynamic Landscape
A Three Day Workshop, August 7-9, 2017, 9:30 am to 4:30 pm (please note: deposits for waiting list)
This three-day workshop will focus on the process of using photographs, sketches, and/or plein air studies executed on location to create dynamic paintings in the studio. We will explore the uses and limitations of photographs as reference material and methods of enlarging studies and sketches for larger studio paintings.
This class will take participants through the entire process of creating a strong landscape painting: from building an effective composition to working with value and color and, finally, to finishing with sensitively chosen details. An emphasis will be placed on proper seeing–looking closely at the existing color and tonal relationships–and on understanding and manipulating what is seen. We will be working with the basic elements of painting, seeing them anew and in ways that can improve the craft of your painting. Each day will begin with a brief lecture and demo. The remainder of the day will be spent painting with one-on-one instruction.
Approach to instruction: I focus on the basics of painting and the principles and techniques of plein air landscape painting. I also encourage students to find their authentic voice and learn what it means to paint like them, rather than simply copying how I paint. I begin a daily session with a lecture, followed by a demo, then work individually with the participants as they work on their paintings, finishing each day with a brief critique.
Several weeks prior to the workshop, each participant will be emailed a pdf containing the material which we’ll be covering in the workshop and a complete description of my approach to painting landscapes. Participants will be expected to have read the pdf (35+ pages) before the workshop begins. A recommended list of materials will also be included. Advanced beginners (basic drawing skills)
Fee: $345. members, $375. non-members
Narrative Portrait Painting
A Five Day Workshop, September 12-16, 2017, 9:30 am to 4:30 pm
This course will be a five day intensive portrait workshop, exploring indirect painting techniques of the old masters with a focus on narrative development. Richard will walk you through the stages of conceiving, composing, and beginning a portrait. There will be helpful information on how to analyze your work in order to improve both your skills and give yourself the tools to express your vision.
We will explore both symbolism and how to express ideas through the composition itself. We’ll cover adaptive methods for utilizing the movement of the model, compositional changes due to the decision of the painter, and enhancing both analytical and intuitive approaches to painting.
Emphasis will be on balancing the detailed and accurate observation of light, form and anatomy - with composition and expression.
Fee: $425. members, $455. non-members
Still Life in Oils
A Ten Day Workshop, October 23-27, Oct. 30-Nov. 3, 2017, 9:30 am to 4:30 pm
Learn how to paint a realistic still-life in a supportive, academic, inspiring environment.
The goal of the course is to introduce artists to the representational painting world, understand the observational painting process, and come away with a beautiful painting. Working from life in the sight-size method, students will learn how to overcome the challenges of painting a variety of objects, including cloth, metal, wood, glass, or perishables, and how to push past visual limits to extend the illusion of depth and realism. We explore line, shape, form, color, texture, edges, composition, and a logical process that makes creating this type of work streamlined and obtainable. Relevant short demonstrations will be given each day, and as students work on their painting they will be guided and critiqued suited to their individual pace and needs. Besides watching, painting, lectures, and critiques, Christina's much-loved handouts further enhance the learning experience. You will come away knowing how to confidently paint a still life from start to finish, including how to: use the sight-size method, draw and paint with accuracy, mix and match exact colors, use mediums in layers, deal with sinking-in, care for palettes and brushes, set up a still life, set up studio lighting, promote the archival nature of your painting, varnish, and more. Gain confidence no matter your prior experience, and feel satisfied knowing that everything learned here will translate well into drawing or painting any subject from life.
Course outline available upon request.
Fee: $1200. members ($30 member fee)
Floral Studies Workshop
January 18-20, 2018, 9:30 am to 4:30 pm
In this three day workshop Katie will discuss the ins and outs of her methods for flower painting. Working with Katie’s “petal-by-petal” technique, students will learn to create true floral portraits. We will work to slow down our painting process to observe the beautiful nuances of each flower.
Katie will explain how to create informed floral studies with accurate floral anatomy, light effect, and color. Starting with a simple drawing and underpainting, we will talk about how to take steps to making an accurate study while using time efficiently to record all necessary information.
Students will focus on painting just blooms, rather than a more formal still life setup. This narrowed focus will allow us to really dive into discovering the nuances of floral painting.
All levels of experience welcome! Katie will provide flowers, but students are also welcome to bring their own.
Fee: $390. members, $420. non-members